Grafting schools in the Czech Republic Video / Photo Events Calendar Discussion Team step.cz Step i

Grafting schools in the Czech Republic Video / Photo Events Calendar Discussion Team step.cz Step in theaters Championship Tap Dance Tap Dance World Championship in CMSS Step shoes Literature | Dvd History of Present tap tap
Step is an American art form that combines dance traditions of West Africa and the British Isles. Evolved sometime between the mid 17th and early 19th century from the two original roots - from "Soft" and "Hard Shoes" dances of the British Isles, such as Jig, Reel and various types of clog dances, and a number of secular and religious dances in Africa, as "Juba", a circular dance. In general, one could say that the African elements in the wilderness became more formal and moderates, while European scooped greater fluency and rhythm. Step originated by combining African rhythms broadway shoes and expressive phrase with European techniques of the feet.
What differs from other forms of step dances, based on the striking footwork, his unique jazz and rhythm synkopace. For example, the rhythm of traditional dřevákového dance classic "estample" flamenco or north Indian Kathak sounds completely different from rhythm tap dance, even though all these dances use the general techniques of the feet. Because accent lighting, synkopace and rhythmic dance patterns differ from one another, is an African rhythmic sensibility and his polycentrika and multimetrika considered a determining influence in the development step.
Example tap as dual heritage tradition suggests ways probable mixing of African and European dances. Because African dance and danced barefoot on the bare ground, appearing in footwork most slides, drag, stomp and shuffle of the body in a slightly crouched position. That step has been taken up these skills is clear from the use of features "Slides", "Drags", "shuffles" and "Chugs" from reallocate positions. In contrast, in thrusting dances like the jig and dances dřeváčkových body is held upright and usually regaled shoes with solid soles clogs or wooden floor. These dances use clear and steady action toe and heel of the foot, which provide the technical basis for the development of different types of strokes. It should be noted that the old styles beater dances in England and Ireland were entirely different from the later of exhibition and competition forms. The old form of the solo dances used at work soles style "attachment to the floor" (a dance vocabulary that is also reflected in the naming of "Set Dances") and was the biggest influence, which hit the British Isles in the development of transplants from 1600 to 1800. Scenic forms of dances like Hornpipe and Jig came to the USA in 1800 and began to influence the development of tap dance with the advent of professional dancers. African dance as well as music is polyrhythmic a multimeter and are carried forward pulsating pace that gives accent to the "off beat". The rhythmic character is the foundation of jazz and his imprint can be seen in the American "urban folklore" (Social Dances) and hear the beats step. In African dances broadway shoes imitating animals throughout the animal body movements in detail. These dances grafting enriched vocabulary of steps and gestures as "Pecking", "shimmies" and "Snake Hips". The term "Buck & Wings" refers to early grafting combos shuffles and Wings. When wing tap dancer jumps and simultaneously performs tříúderový Shuffle toe of one foot. Super steppers and they caught five or six strokes before they fall. In contrast, "Buck Dancer" formerly known as the solo dancer, probably because the rapid succession of blows Shuffle reminded footed beast.
Whites and blacks undoubtedly watching their dances each other, because between the 17th and 19th centuries assumed the blacks from European influences and figures dancing with a partner for his own use. Reel and imitated figures broadway shoes outside, but keep African steps and rhythm. After the 1825 enlargement Minstrels, the exchange of elements reversed. White dancers copied the African and African-American dance and music styles into their performances. After 1890, whites also took black popular dances that are so ranked into mainstream culture and then dominated the development of urban folklore in the 20th century.
As in the colonies increased the number of slaves increased the number of rules, restricting their behavior. Especially one law, introduced in 1739 in Carolina and other states soon taken, directly influenced the development step. In response to the popularization of characters slave "Cato conspirators" or "Stono rebels" and because the white slave traders mistakenly thought that the sound of drums echoing throughout the country, invites others to rebellion, drumming and built a collection of slaves outlawed under a strict penalties. Instead of Prohibited broadway shoes drums remained slaves only tambourines, whistles, banjos, violins and "Patting", which is also called "Ha m boing". It was a slap in all parts of the body as if it were a drum kit. The feet are of course became one of the most important rhythm instruments slaves. The development of this tool runs from the 18th century until today. Increasingly, there were references to the popularity of the "Patting Juba" and descriptions feet slapping the floor in black, r